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Abstract
This article provides a scientific and theoretical analysis of Alisher Navoiy’s collection “Khazoyin ul-Maoniy.” It examines the poet’s productivity and high artistic mastery, the traditions of divan compilation, particularly aspects related to Xusrav Dehlaviy, the structuring of the collection according to the stages of human life, as well as the diversity and quantitative composition of poetic genres within the collection.
References
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